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Greek Mythology Notes

Parthenon Frieze

💭 conceptΖωφόρος τοῦ Παρθενῶνος
Classical relief sculpture

A continuous low-relief marble band running around the inner chamber of the Parthenon, depicting the‍​‍​‍​‍​‍​‌​‍​‌​‌​‍​‌​‍​‍​‌​‌​‌​‌​‌​‌​‍​‌​‍​‌​‌​‌​‍​‌​‌​‌​‌​‍​‌ grand Panathenaic procession in honour of Athena

The Meaning of Parthenon Frieze

The Parthenon Frieze is a continuous sculptural band that originally ran along the upper exterior wall of the inner chamber of the Parthenon, stretching approximately 160 metres in total length.‍​‍​‍​‍​‍​‌​‍​‌​‌​‍​‌​‍​‍​‌​‌​‌​‌​‌​‌​‍​‌​‍​‌​‌​‌​‍​‌​‌​‌​‌​‍​‌ Carved between 443 and 438 BCE under the supervision of Pheidias, it depicts the Panathenaic procession — the great civic and religious festival held every four years in honour of Athena Polias, patron goddess of Athens. The frieze shows horsemen, charioteers, musicians, sacrificial animals, elders, and young women bearing offerings, all converging on an assembly of the Olympian gods seated on the east side. The composition includes over 360 human figures and more than 200 animals, making it one of the most ambitious relief sculptures ever attempted in antiquity. The east central scene, showing a child handling a folded cloth, has been interpreted variously as the presentation of the sacred peplos to Athena or a mythological sacrifice. Portions of the frieze are divided between the British Museum, the Acropolis Museum in Athens, and several other European collections.

Parents

None recorded

Symbols

processionhorsemenpeplos

Fun Fact

The entire frieze contained over 360 individually carved human figures, each with distinct poses, drapery, and expressions

Words We Inherited

English words and phrases that trace back to this myth. See our full guide to English words from Greek mythology.

frieze

Explore Further

Elgin Marbles

💭 concept

Classical sculpture

A collection of Classical Greek marble sculptures removed from the Parthenon in Athens by Lord Elgin in the early nineteenth century, now housed in the British Museum

Peplos Kore

💭 concept

Archaic sculpture

An Archaic Greek marble statue of a young woman wearing a peplos garment, dated to around 530 BCE and found on the Athenian Acropolis

Laocoön and His Sons

💭 concept

Hellenistic sculpture

A monumental marble sculpture depicting the Trojan priest Laocoön and his two sons being strangled by sea serpents sent by the gods

Chryselephantine Statues

💭 concept

art, worship

Monumental cult statues made of gold and ivory over a wooden frame, the most prestigious form of Greek religious art, including the two greatest lost masterpieces of antiquity.

chryselephantine

Nike of Samothrace

💭 concept

Hellenistic sculpture

A monumental winged marble sculpture of Nike, the goddess of victory, carved around 190 BCE and displayed at the Louvre since 1884

nike

Amyclae Throne

💭 concept

art, worship

The colossal throne-statue of Apollo at Amyclae near Sparta, one of the most sacred objects in the Greek world, combining sculpture, relief, and architecture.

amyclae

Venus de Milo

💭 concept

Classical sculpture

An ancient Greek marble statue believed to depict Aphrodite, discovered on the island of Melos in 1820 and now among the most famous works of antiquity

Panathenaia

💭 concept

Festival, Athena, Athens

Greatest Athenian festival honouring Athena with processions, contests, and the sacred peplos

none

Hermes of Praxiteles

💭 concept

Classical sculpture

A marble statue found at Olympia in 1877 depicting Hermes holding the infant Dionysus, attributed to the sculptor Praxiteles and dating to the fourth century BCE

Dying Gaul

💭 concept

Hellenistic sculpture

A Roman marble copy of a lost Hellenistic bronze depicting a wounded Gallic warrior in his final moments, celebrated for its dignified portrayal of a defeated enemy

Doryphoros

💭 concept

Classical sculpture

A bronze sculpture by Polykleitos depicting a spear-bearer, created around 440 BCE and regarded as the definitive embodiment of the Classical Greek canon of proportions

Kritios Boy

💭 concept

Early Classical sculpture

A marble statue of a nude youth dated to around 480 BCE, considered the earliest known sculpture to use the contrapposto stance that defines Classical Greek art

contrapposto